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Working in the city office is a bitter clerk who believes he has only 14 days to live and so he bravely stands up to his bureaucratic director.

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In 1990, filmmaker Jan Špáta headed to the North Moravian border region to join photographer Jindřich Štreit. His social humanist black-and-white images of the most ordinary life situations were close to his heart and offered themselves as a means of bearing witness to the social and spiritual state of Czech society on the threshold of freedom. "By allowing myself to be carried away by the world of Štreit's photographs, it is, in terms of content, one of my most raw films", Špáta rightly says. Štreit recalls, "I showed him different settings, what he would be interested in, what he would like, and it is true that he had a very easy job in two ways. Firstly, because these people were used to being photographed, and secondly, I chose the most attractive settings and the most attractive people. I knew that they were photogenic and that these were carrying situations".

暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无英文版的简介，请添加内容帮助我们完善数据库。

Hans Schabe is a man who lives a hallucinatory existence in which real life mixes with his fantasies and obsessions. The paranoia that has taken his soul hostage is the engine of the film. From childhood to death. The particularly delicate theme, the possibility of living and knowing everything from the inside of Hans touch and test the sensitivity of the viewer. No third person who narrates, no external eye that interprets. Only Hans and his visions in a state of hallucination.

This piece had its world premiere as the opening film of the Hans Richter Tribute at Cinema Arsenal in the summer of 2003. The nine minutes of film are a compilation of all appearances of Hans Richter in Jonas’s films. The result is a new work, a singular contemporary document, which does not only capture Hans Richter, but shows him embedded in his environment.

A young man lives through the end of World War II

On the eve of his return to Europe after an extended involuntary stay in 16th-century Brazil, the German sailor Hans Staden is captured by a hostile cannibal Indian tribe. In order to survive he tries to convince the Indians that he is not Portuguese (their enemies) but a friend of the French (their allies), and that his God would be very angry if they were to eat him.